WORKS CITED

 

Grout, Donald J. and Claude V. Palisca.  A History of Western Music, 4th ed. 

            New York and London:  W.W. Norton and Company, 1988.

 

Hillier, Paul.  “Arvo Pärt – Magister Ludi.”  Musical Times 130, March

            1989, 137.

 

Hughes, Andrew.  Style and Symbol;  Medieval Music:  800 - 1453. 

            Ottawa, Canada:  The Institute of Medieval Music, 1989.

 

Kostka, Stefan.  Materials and Techniques of Twentieth Century Music. 

            Englewood Cliffs, New Jersey:  Prentice Hall, 1990.

 

“Looking Back for the Future.” Classic CD 53, October 1994, 35.

 

Marshall, Ingram.  Liner notes for Annum per Annum.  Christoph Maria

            Moosmann, organ.  New Albion NA074CD.

 

Mellers, Wilfrid.  Liner notes for Arvo Pärt Arbos.  Hilliard Ensemble, Brass

Ensemble, Staatsorchester Stuttgart, Dennis Russell Davies.  ECM 1325.

 

________.  Liner notes for Arvo Pärt Collage.  Philharmonia Orchestra,

            Neeme Järvi.  Chandos CHAN 9134.

 

Morton, Brian and Pamela Collins, eds.  Contemporary Composers.  Chicago

            and London:  St. James Press, 1992.

 

Munkachy, Louis.  16th Century Counterpoint.  Pittsburgh:  Privately printed.

 

Randel, Don, ed.  The New Harvard Dictionary of Music, 1986 ed.

            Cambridge, Massachusetts:  The Belknap Press of Harvard University

            Press, 1986.  S.v. “Modes, rhythmic,” by Janet Knapp.

 

 

Rodda, Richard E.  Liner notes for Arvo Pärt Fratres.  I Fiamminghi, The

            Orchestra of Flanders, Rudolf Werthen.  Telarc CD-80387.

 

Rowell, Lewis.  Thinking About Music.  Amherst:  University of

            Massachusetts Press, 1983.

 

Sandner, Wolfgang.  Liner notes for Arvo Pärt Tabula Rasa.  Staatsorchester

            Stuttgart, Lithuanian Chamber Orchestra, Saulus Sondeckis.  ECM

            78118-21275-2.

 

Schenbeck, Lyn.  “Discovering the Music of Estonian Composer Arvo Pärt.”

            Choral Journal, August 1993, 23-24.

 

Schwartz, Elliot and Daniel Godfrey.  Music Since 1945;  Issues, Materials

            and Literature.  New York:  Schirmer Books, 1993.

 

Ultan, Lloyd.  Music Theory:  Problems and Practices in the Middle Ages

            and Renaissance.  Minneapolis:  University of Minnesota Press, 1977.

 

Vaitmaa, Merike.  Liner notes for Arvo Pärt Cello Concerto “Pro et Contra”;

            Perpetuum Mobile; Symphony No. 1, “Polyphonic”; Symphony No. 2;

            Symphony No. 3.  Bamberg Symphony Orchestra, Neeme Järvi.  BIS

            CD-434.

 

Witherden, Barry.  “Pärt, the Essentialist.”  Classic CD 63, July 1995, 63.